Archive for October, 2009

The Groovediggers unearth dark folk tunes

Wednesday, October 28th, 2009

groovediggers

This Sioux City folk band revels to a darker tune. In time for Halloween, the bunch made it to The Journal to record two songs live and chat about their music for a podcast with multimedia producer Sam Burrish.

Songwriter Mike Langley submitted the following as a “bare bones” description of the band. Have fun reading…

“The wandering minstrel is called Medieval Mikey, the Minstrel Mage. Not unlike T. H. White’s Merlyn in The Once And Future King, the Minstrel Mage travels backwards (or is it sideways?) through time, unearthing long-buried musical spells from the space age to the stone age, and ages in-between. Mikey’s band, The Groovediggers, fellow caretakers of the Vault of Ages, join him in a rocking catacomb of undead song. Don’t be afraid of a cobweb or two — come for a stroll through the Grooveyard with The Groovediggers!”

Below is a live performance at The Journal of “Graveyard Wreck.” Check back Thursday afternoon for a video of “Lover’s Lane.”

Podcast interview (play below)

 
icon for podpress  The Groovediggers podcast [20:20m]: Play Now | Play in Popup | Download

Download (MP3) Graveyard Wreck | Lover’s Lane

The Kickback cracks into Chicago scene

Wednesday, October 14th, 2009

Indie Rock band The Kickback performs in Vermillion, S.D., during a recording session for The Journal's Heard Mentality online music feature.

Live releases preview new EP (Journal exclusive)

MP3: The Wheelers | War Chest | Snuff Film Credits

HQ Video: The Wheelers | Snuff Film Credits

Podcast interview with Billy Yost

 
icon for podpress  Heard Mentality podcast with Sam Burrish [25:30m]: Play Now | Play in Popup | Download

By Sam Burrish
Journal multimedia producer

The sirens of big-city fame have seduced many a small-town band.

For indie rock group The Kickback, it was Chicago. The former Vermillion, S.D., four-piece made the leap this summer.

In short time, they’ve had to navigate the unfamiliar currents of a big local scene. But the move so far is all good.

“Everyone was thinking basically the same thing. ‘We want to keep doing this, but we’ve got to find a way to bump it up to the next level,’” frontman Billy Yost said in a recent interview for The Journal’s Heard Mentality online music podcast.

The band’s “underdog” mentality surely didn’t hurt entering the scene, he said.

For several years, playing new venues meant hours on the road, and on a good night, recouping gas money. Now a host of Chicago venues within a few minutes’ drive welcome the band.

The steady schedule of gigs is spring-boarding The Kickback’s profile, in addition to recording sessions, mentions in city publications and a growing fan base — local and online.

Affirmation?

That came straight from the top. Rock ‘n’ Roll bible Rolling Stone also published extolling words for the band.

The magazine said: The Kickback writes “lean, nervy songs that snarl and snap. Guitarist Billy Yost has a marvelously agonized voice and he wrenches notes from his larynx, hurling himself against the songs’ propulsive rhythms.”

The review was published Sept. 17 on Rolling Stone’s Hype Monitor blog, a place up-and-coming bands are spotlighted.

The accolade was a surprise, 22-year-old Yost said.

“My first reaction was that somebody had taken our (band) name,” Yost said after he saw “Kickback” in the headline.

Then came his name. Every letter was there.

“I started freaking out. I think I danced around the apartment sort of yelling,” Yost said. He then left brother and bandmate Danny Yost a voicemail. “You couldn’t really make out anything I was saying. It was just sort of high-pitched squeal sounds.

It was definitely one of the cooler moments of my life.”

Also good? The timing.

The band is recording for its second EP, “The Great Self-Love,” which Yost expects to release later this year.

“The EP is a celebration of the only thing my generation has learned how to do: pat itself on the back and rest assured that no one is as unique and special and perfect as us,” said Yost, who also works as a substitute English teacher.

“The Great Self-Love” release was delayed because of scrapped recording sessions in Sioux Falls, S.D., the Chicago move, and switching guitarist Cody Raterman with Chicago-native Tyler Zee.

Danny Yost and bassist Zach Verdoorn have returned from a touring stint with indie rockers Oh My God, also of Chicago.

The Kickback is now studio recording “The Great Self-Love” using money donated online by fans.

But if they can’t do it killer live, it doesn’t matter what the studio work sounds like, Yost told The Journal this past summer before the move.

The Kickback: Exclusive previews

Wednesday, October 14th, 2009

By Sam Burrish
Journal multimedia producer

Today The Journal’s Heard Mentality blog publishes two videos of The Kickback performing live, uncut versions of upcoming studio tracks.

Talks about a final Sioux City media appearance before the move led to a collaboration with the band and The Journal’s multimedia producer.

The idea was simple: An amped-up version of the Heard Mentality blog’s popular performance videos.

The live session highlight burns with “Snuff Film Credits.”

The song presents a vacuous soundscape deep with sonic voices conversing into a growing, undulating cadence that scratches the ceiling.

The song is “not literally about the act. Just a mental reel of things a man is thinking who is completely capable of something that harsh and sadistic,” Yost said. “The charming, terrifying last words he’s thinking he would like to say.

I read that the market for fake snuff films is off the charts in Japan. That was bizarre enough in itself to call for a song.”

The bony keys at first contrast damp, seductive vocals. And bass and kick drum eventually fill in the bottom.

The masterfully-layered song is highlighted by the antagonizing restraint of vocalist, Yost, who, along with old school keys, adds a tense under-wire that arches even the electronic chaos of the song’s robust climaxes and barren lows.